Guest Contributor (46)

Monday, 22 November 2010 01:00

Street Photography Tips and Techniques

Written by Craig Semetko
Whether you shoot street photography, landscape, or anything in between, it's helpful to remember the acronym DIE. "D" stands for design, "I" is for information, and "E" is for emotion. Henri Cartier-Bresson (if you don't know who HCB is and you're interested in street photography, google him when you're done here) said that all good pictures have a sense of geometry, and this is what is meant by design. Information is important for telling a story, and emotion is imperative for giving information and design impact. It's easy to get one of the three elements in a picture, more difficult to get two, and if you get all three, you've got a real banger, as they say. The DIE concept is just as effective in spotting good pictures after you've pressed the shutter and are editing your contact sheets or digital files. Some of the pictures shown here are stronger in one element or another, but they all exemplify the "DIE" concept to a greater or lesser extent.
Tuesday, 16 November 2010 23:38

Finding Beauty In The Ordinary

Written by Markus Hartel
Coming from Germany, moving to New York, I opened my eyes, looking into the world close-up and personal, I immediately grabbed a camera and started capturing life in the urban jungle. I adapted to my surroundings and quickly learned to move in closer, to better illustrate the intimacy of the streets and the interactions of people with their environment.  
Monday, 15 November 2010 00:00

Street Photography: Past and Present

Written by Severin Koller
When I think of Street Photography then certain images come to my mind – and it's definitely not the one used in Wikipedia's article. At least until the digital age it has been a defined category in photography. There is so much nowadays categorized as "Street" that I think we have to make a difference between a pre-digital age Street photography and today's. People's idea of who is the prime father differ. Some say it's Garry Winogrand, others believe it's Herny-Cartier Bresson or Robert Frank. It's a philosophical question nobody can quite answer. Also it's not true that they were the first who took photos with that approach.
Friday, 12 November 2010 01:00

Strobe Lighting

Written by John Siskin
I find that many people decide to avoid working with strobes because they are frightened of them. In my experience most people cannot understand strobes until they work with them. Even in live classes where there is a demonstration in front of the students, many will not get strobes. But when someone sets up the strobes, for themselves, and does a shot, perfects the exposure, and creates a photograph all becomes clear. As with so many things in life the second time is easy! In the classes I teach there are still challenges with learning lighting, but because the classes are on-line, students have my help for a month. We can work through any problems.
Wednesday, 10 November 2010 01:00

10 Tips to Reignite Your Passion for Street Photography

Written by Eric Kim
Let's all admit it, sometimes we all get too lazy to go out on the streets and shoot. We always make excuses for reasons why not to shoot, rather than making reasons to shoot. Everyone has dry spells when they just "don't feel inspired" or that their passion for street photography has died down a little. It has definitely happened to me, but here are some tips that I have that helped me re-ignite my passion for street photography (and for yourself as well).
Wednesday, 03 November 2010 00:00

How to Be Special in a Crowded Industry

Written by Sean Shimmel
“It Tastes Like Chicken” is NOT a Compliment. Who doesn't smile when they stumble across the sly, opening quote from Seth Godin's Purple Cow? This chicken dilemma happens time and again with kids and food and as recent as with my youngest and his foray into sampling alligator nuggets from a recent Cajun restaurant. As a photographer, I wonder about "chicken" and how to avoid the dreaded" compliment." Here are a few ways I try to be special in a crowded industry. I'd love to hear some of your own.
Wednesday, 27 October 2010 01:00

Photographing Under Direct Sunlight

Written by Walter Parada
Ever since I first began photographing I was always cautioned, by both colleagues and textbook, about photographing portraits under direct sunlight. Mostly, it was suggested to never photograph such imagery because of the hard shadows and unflattering overhead sunlight can cast on skin, washing out detail, resulting negatively in an overall photographic image. Yet, we see so many splendid, creative photographs produced under direct sunlight whether it's by an amateur enthusiast or the published professional. And quite frankly, some of the best results can emerge in photographing portraits under direct sunlight, but it also doesn't hurt to have light modifiers on-hand, like scrims, collapsible translucent screens, a wireless flash, along with polarizing lenses to help minimize skin detail from washing out while amplifying light to the more shadowed areas.
Monday, 25 October 2010 01:00

Glamour Photography, Keep it Simple Keep it Strong

Written by JimmyD
Way back in the 14th Century, a Franciscan friar, William of Ockham, wrote something that later became known as Ockham's Razor. The good friar theorized, Entia non sunt multiplicanda praeter necessitatem. If Latin isn't something you normally read, write, or speak, or you only understand a variation of Latin that sounds oremay ikelay isthay, I'll translate. "The simplest explanation (method, process, or way to approach something) is usually the correct one."
Wednesday, 20 October 2010 01:00

The Unconditional Eye

Written by Markus Hartel
Street photography is almost as old as photography itself, and the tradition of photographing in public has always been around, yet it became immensely popular with the rise of digital cameras - and finally gained a tremendous amount of obsession with the ordinary through the ease of online sharing. There are the streets, with hundreds of subjects readily available, and everyone with a camera or cell phone has the ability to photograph strangers in public places, no matter where or why.
Tuesday, 12 October 2010 22:16

Making and Finding The Time To Create Great Images

Written by Seshu
I am convinced that both wedding photographers and wedding clients are quickly arriving at an impasse. And it is over the issue of TIME. From my perspective, everyone is feeling the crunch. Clients want their images faster. And with new tools and faster bandwidth, photographers can deliver those images quickly. But how good are they? Is "good-enough" just good enough? Savvy clients are looking for better quality images; ones that are markedly different from their friends. What are these bottlenecks that prevent us from creating great images and how should we avoid them?
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