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Tim Grey

Tim Grey (4)

Tim Grey is regarded as one of the top educators in digital photography and imaging, offering clear guidance on complex subjects through his writing and speaking. He loves learning as much as he possibly can about digital imaging, and he loves sharing that information even more.

Tim has written more than a dozen books on digital imaging for photographers, including the best-selling Photoshop CS4 Workflow and Color Confidence. He has also had hundreds of articles published in magazines such as Digital Photo Pro, Outdoor Photographer, and PC Photo, among others. He publishes the Digital Darkroom Questions email newsletter, as well as the Digital Darkroom Quarterly print newsletter. Tim teaches through workshops, seminars, and appearances at major events. He is a member of the Photoshop World Dream Team of Instructors.

Tim’s work combines several of his greatest passions: technology, teaching, photography, writing, and travel. All of these have been part of his life in some way for as long as he can remember, and became a major focus starting in high school. He has been focused on digital photography and imaging for over 10 years.

Friday, 01 May 2009 15:54

Fixing Color Contamination

Written by Tim Grey
Despite our best efforts as photographers to get everything perfect in the camera, at times you’ll find an unwanted element ended up within the frame. In some cases you might simply move on to a different image if the distracting element is problematic enough. Otherwise you would probably crop the image to cut out the problem area or use a combination of the Clone Stamp and Healing Brush tools to eliminate the unwanted element.
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Saturday, 14 March 2009 18:03

Creating a Dreamy Infrared Effect

Written by Tim Grey
Infrared has long been a popular way to produce unique images. In fact, some photographers continue using film cameras in large part to be able to capture genuine infrared images with a traditional look. Other photographers have had digital cameras altered (or simply use an infrared filter on certain models) to produce a similar (though not identical) effect.
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Friday, 13 February 2009 16:05

After the Capture: Flat to Impactful

Written by Tim Grey
There are many reasons we take photographs, but among the top reasons is that the subject we’re photographing stirs an emotional response within us. We see something beautiful or meaningful, and we want to capture the moment in a photograph to preserve the experience. This is how many great photographs are born.
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Sunday, 18 January 2009 04:06

After the Capture: Sepia and Beyond

Written by Tim Grey
Sepia-toning of photographic images has long been a popular way to alter the appearance of an image. The effect dates back to the late 1800’s, when a pigment derived from a particular species of cuttlefish was added to the chemicals used to process photographic prints. The result was a black and white print with a brownish tone to it, and an image that incidentally would not fade as quickly as a traditional black and white print.
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