Gill Taylor

Gill Taylor (8)

Gill was born in Belfast in Northern Ireland but moved to England to be with her husband almost 14 years ago and for the last 5 years this is where her business has gradually become established.  She hasn’t always been a photographer but a background in IT, which I have, is quite a handy thing to have in this industry.
She lives with her husband, John and their well-photographed (and blogged) dog called Tess, 2 big tom cats, 2 motorbikes and a natty wee sports car (she’s a bit of a petrol-head !).
Gill first studied photography in high school and, at 15, had quite an extensive kit bag.  In her early twenty’s she followed the Irish bike racing, shooting for fun, then hung up her cameras when she got divorced.  It was 10 years later that John dragged her into a camera shop and made her buy a digital SLR.  She went back to college for laughs and a brush-up on skills, only to find they were still living in the darkroom.  Her first digital SLR was a silver Canon 300D (don’t laugh).  I still have my original Canon AE-1 which she will never part with.
In a recent interview, Gill was asked "How did you become a photographer?"  Her response:
"It’s funny, I never honestly thought I would.  When I was studying at college, wedding photography was sniffed at by both students and professors alike.  I was almost embarrassed to admit I quite fancied it.  I went on a Bron lighting seminar a few years back and bumped into a photographer who needed some web work doing.  In return, he allowed me to tag along on a couple of weddings.  That led to a firm friendship and a 2 year second-shooting relationship, which was totally invaluable.  I like to think of my journey into wedding photography as a very happy accident and something I adore."
(Interview link)
LINKS

Having spent some time discussing the benefits or otherwise of having a blog, with other photographers, I thought it would be a useful subject to delve into. I have had a blog since February 2007, so it intrigues me when I speak to other photographers who haven't gone down that route. I guess I was a little closed-minded on the subject ... "WHY NOT!" ... but when you delve into the pro's and con's, I guess maybe it's just not for everyone ... but should it be?
Friday, November 05 2010

Making the Most With What You've Got

Written by Gill Taylor
As a wedding and portrait photographer I am constantly faced with shooting in difficult or challenging locations. We've all been there, I know. I rock up at a bride's home to find the entire bridal party getting ready, clothes everywhere, bags, cases, the makeup artist, the hairdresser, all squeezed into a few small rooms, while Dad watched sports on TV and keeps out of the way. Personally, I don't want my brides remembering chaos, I want them to remember looking and feeling fabulous in the morning, surrounded by their girls and their family. Now cut to the reception, it's a beautiful hotel surrounded by a car park and a couple of grassy areas. In many cases there is another wedding at the other end of the venue, you're restricted to one spot. Cut to a portrait session indoors, happens so often here, because let's face it, it rains so much ! So how can we, as professionals, stand out from the amateur with a point and shoot, how can we make our clients feel and look as though they were somewhere truly special. It really isn't that difficult. All it takes is a little imagination, a keen eye and an alternative viewpoint.
Friday, October 08 2010

The Devil Is In The Details

Written by Gill Taylor
Any of us who shoot weddings know that brides spend a lot of time choosing their themes, colours, flowers, jewelry, dress, shoes and on and on ... as far as a wedding is concerned, it's all about those little touches, the details that make their wedding day different from any other, that makes it "theirs". It is up to us, as professionals, to ensure their memories are captured forever. The cake gets eaten, the shoes worn (in my case, mine were trashed !), the dress gets packed up and popped in the attic, the flowers die
Tuesday, June 01 2010

Location-Take II

Written by Gill Taylor
Following on from last month’s article on choosing locations for your portraits, I’m going to run through some more that I have used recently.  Not having a studio location doesn’t need to be a hindrance, you just need a little imagination!
Monday, May 03 2010

Location, Location, Location

Written by Gill Taylor
When you think about having some portraits taken ... whether it be a family shoot, boudoir, headshots or just some photos of yourself ... your mind immediately thinks “studio”, “white background” or “mottled backdrop”.  It’s natural to assume that this is the norm for portraiture, probably stemming back to those school photos we had to endure for years on end !
Wednesday, March 31 2010

Working With Available Light

Written by Gill Taylor
By Gill TaylorI need to preface this article by saying that I use whatever light is available to me in order to make an image and therefore have no objection to artificial lighting ... however, I do have a penchant for  finding “natural” light for my lifestyle portraits, pre wedding sessions and even during a wedding, so this is the focus of this month’s article.
Saturday, February 27 2010

Painting your Clients with Light

Written by Gill Taylor
The art of painting with light, or camera painting as it is also known, is not a new technique, but I got to wondering how many of us would consider doing it with our wedding clients?   I had the perfect opportunity at a recent winter wedding, the conditions were great, a little bit of snow, pitch dark, not too much ambient light from the venue windows, and as my friend and fellow photographer Chris Meyer was visiting from the US, there were 2 of us shooting !  Very handy, as this technique is so much easier with 2 of you around.
Tuesday, February 02 2010

The Art of Winter Weddings

Written by Gill Taylor
Shooting winter weddings requires specific techniques, a creative approach, a technical skill-set and a desire to push the boundaries of your photography. For me, in addition to all this, using suitable equipment to the best of its abilities.
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