Tim Olsen

Tim Olsen (7)

Tim Olsen is a freelance photo assistant and photographer from Minneapolis. Tim is also the publisher of APhotoAssistant.com, where he shares his photo assisting experience and provides a plethora of resources for photo assistants, photographers, and other creatives. In his thirteen years in the photo industry Tim has traveled extensively, working on just about every type of photo shoot imaginable. Hes worked with many fabulous photographers over the years, and has rubbed elbows with all sorts of talent--including a few monkeys and a grizzly bear. He jokes that about the only thing he hasn’t done yet is an underwater or aerial shoot, “...but one-time I did push a photographer around on an inner-tube while he shot with an underwater housing!” Tim is also an experienced studio manager, film grip, digital imaging tech, and printer. Tim’s home-base is split between Minneapolis and Los Angeles.

Friday, January 07 2011

Photo Assistants Make Better Photographers

Written by Tim Olsen
More and more these days photo students and other people who want to make a career change are talking about jumping right into the deep end when considering becoming a professional photographer. Many people are unaware of the real state of the photo industry in the digital age, thinking that it has become relatively easy to be a successful working photographer, when, in fact, the opposite is quite true. Competition has increased, budgets are extremely tight, rates have come down, and high-end jobs are fewer and fewer. But, if you are serious about becoming a professional photographer, you can really hone your skills and learn the ins-and-outs of the photo biz by working, first, as a photo assistant. This is by no means taking the bunny-hill approach. Much of what you need to do as a photographer you will do as an assistant, learning from other experienced shooters first, rather than you having to figure it all out by yourself, the hard way.
Lately, I’ve been getting a lot of questions from photo students, recent grads, and new assistants about what they need to do to be a good assistant. What do photographers specifically expect from their help and what can they do, as an assistant, to be best prepared. This is the million-dollar question!
I actually heard this talk between a photographer and an assistant not too long ago. I’ve had the conversation myself, with many new assistants. It’s not meant to be a derogatory remark, usually it’s more of an affectionate term. But, it also denotes an unfavorable reaction if the dummy check isn’t performed, and if it’s intended purpose is compromised. I’ve also heard a dummy check called a walk-through, or an idiot check.
The relationship between you, the photo assistant, and the photo rental store can, and should be, a special one. Photo assistants are a very key element to the rental store getting new and additional business from photographers. And, when a photographer from out of town calls to book you and then asks if you know a good place to get lighting and grip rentals, your value increases ten-fold when you can handle their rental needs. As a photo assistant, many times you will be asked to pick-up lighting, grip, and camera rentals from rental houses.
Sunday, February 28 2010

A Photo Assistant Is Still A Photographer

Written by Tim Olsen
I hung up the phone and, well, to be honest, I was kicking myself that I had agreed I would go out and shoot my buddy’s band. It had been a long day and I was looking forward to a lot of nothing that night, not to mention the clay project I was just warming up to. The lighting usually sucks in some of these bars, and you’re lucky to get five good shots, sometimes.
Early last Saturday afternoon, I was sitting down to lunch with friends, at a local restaurant, when I got a call from a photographer. He asked if I was busy right then, and I told him I was just eating lunch. The caller manages a photo rental studio, and the photographer who had rented the space was a bit overwhelmed, and needed a hand. I told him that I’d be there in 30 minutes. I gobbled down my lunch, apologized to my friends for eating and running, and hustled over to the studio. I had no idea what the shoot was or what to expect when I got there.
Tuesday, January 05 2010

A Photo Assistants Grip Kit

Written by Tim Olsen
Do you have your own grip-kit? If not, you probably should.When I first started assisting, it seemed unnatural for me to just show up to a studio, or on location, empty-handed. So, I decided to put some essential tools into a simple fanny-pack.
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