Shooting architecture is always a challenge. The beauty of architecture photography is that there is a lot variety in styles and types, shapes and sizes of buildings (especially if you get to travel around the world).

Over the years I’ve seen some definite trends in the types of shots that clients love. This month I’d like to share six ideas for shots that are proven winners in any assignment.

Working with an advertising agency can be quite intimidating for newcomers to this business.  This month I’ll describe how I handle a typical commercial shoot involving an advertising agency and their high-end resort property client.

As you may recall, last month I introduced you to the first three of the five steps to successfully planning your first architectural photoshoot:  1. Creative Goals, 2. Creative Strategy and 3. Site Logistics.  This month I’ll discuss the final two steps:

When I first began shooting architectural subjects I learned a lot about the necessity for careful planning.  Architectural shoots are far more complex than most other commercial assignments, and rarely lend themselves to spontaneity.  A successful shoot is usually the result of days (if not weeks) of careful planning.

The classic dusk exterior view is one of the hallmarks of great architectural photography.  However, today’s latest photographic software and innovative shooting techniques make it easier than ever to achieve a stunning result.

Last month I described how to construct an inexpensive grid spot attachment for your speedlight.  This month let’s look at using the grid spot to light a complex interior shot. First, you’ll need to do a little experimenting to arrive at some exposure values for your speedlight grid using your various size grids.  If you have a flash meter this will be a snap, otherwise you’ll need to shoot a few test shots.

Large interior spaces pose unique problems for architectural photographers—especially when the existing lighting is less than optimal.   These days professional shooters are relying more and more on specialized shooting techniques and software to create pleasing images of large, poorly lit spaces.

This month I’d like to take a closer look at one of the largest markets for architectural photography—namely residential real estate.  Brokers and agents have always relied on photography to help sell and rent their properties, however in the current economy it’s more important than ever before to have GREAT photography!

Architectural photography and travel have always gone hand in hand.  However, air travel has never been more problematic than it is today.  This month I’ve decided to pass along some ideas and advice to make your photography travels a bit smoother.

Perhaps one of the most difficult aspects of breaking into architectural photography is assembling a portfolio.  Without a great portfolio it’s nearly impossible to get an assignment.  However, many photographers find that putting together a beginning architectural portfolio is an overwhelming challenge.